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mad-maddie:

COMMISSION TIME!

STATUS: OPEN!

• I RESERVE ALL RIGHTS TO THE ARTWORK. If you do not want your commission posted publicly please inform me! If you would like to post your commission online please credit the artist.
• Limit of three (3) image orders per client at a time.
• I reserve the right to decline a commission.
• I reserve the right to close down commissions slots without notice. This will not effect clients who have already placed and/or paid for their orders, this is purely to ensure my workload is manageable and that all current clients’ orders can be completed in a timely manner.
• Pre-set rates are non-negotiable.
• I draw humanoid and anthro characters, fan and original characters, MMO toons/characters, etc. I swear I draw more than night elves.
• Illustrations, chibis, icons, banners, etc. that do not have listed prices can always be discussed!
• All images are solid-colour background hi-res JPEG files. PNGs can also be available upon request for no additional fee.
• Please put “commission” somewhere in your email title so it can be responded to quickly and filed accordingly.
• Paypal payments only. Due to past complications, once you are ready to place your order and it has been accepted, payment must be paid in full when requested to confirm your spot. Half-now, half-later payment options are also available, but completed images will be withheld until full payment has been received.
• Turn-over is one-two weeks or less for smaller projects and two-three weeks or less for larger projects. WIPs and sketches are sent during this period for revisions. If at any point I am unable to complete the commission due to external complications, the client will be contacted and refunded.
• Please include any reference images and descriptions you think I will need to best draw your commission!

Contact me by EMAIL ONLY: msbcommissions@gmail.com

icyvveins:

lol new dk who dis

blencem:

My characters are the most charming beings around, little something out of a recent rp, Rami gives no shits.

buxbi:

I LOVE the new feral druid forms, but those fangs seem to ask for nothing but trouble

drisrt:

Two hands are not enough to convey the affection sometimes

doodlejinx:

what do you mean there are no beanies or sparkly glitter plugs in Azeroth??

benpaddon:

wellheyproductions:

nerdgerhl:

I feel like there are probably too many people just scrolling past this so let’s go through everything that’s going on here. 

1. With Roger’s voice actor standing off camera, Bob Hoskins acts into empty air and frantically sawing at his handcuff, continually looking up and down at different visual marks of various depths. Look at the slow pan up of his eyes in gif 4, and then the quick shift to his side. Think about how, on set, he was looking at nothing. 

2. Starting in gif 2, The box must be made to stop shaking, either by concealed crew member, mechanism, or Hoskins own dextrousness, as he is doing all of the things mentioned in point 1. 

3. In all gifs, Roger’s handcuff has to be made to move appropriately through a hidden mechanism. (If you watch the 4th gif closely you can see the split second where it is replaced by an animated facsimile of the actual handcuff, but just for barely a second.)

4. The crew voluntarily (we know this because it is now a common internal phrase at Disney for putting in extra work for small but significant reward) decided to make Roger bump the lamp and give the entire scene a constantly moving light source that had to be matched between the on set footage and Roger. This was for two reasons, A) Robert Zemeckis thought it would be funnier, and B) one of the key techniques the crew employed to make the audience instinctually accept that Toons coexisted with the live action environment was constant interaction with it. This is why, other than comedy, Roger is so dang clumsy. Instead of isolating Toons from real objects to make it easier for themselves, the production went out of its way to make Toons interact more with the live action set than even real actors necessarily would, in order to subtly, constantly remind the audience that they have real palpable presence. You can watch the whole scene here, just to see how few shots there are of Roger where he doesn’t interact with a real object. 

The crew and animators did all of this with hand drawn cell animation without computerized special effects. 1988, we were still five years out from Jurassic Park, the first movie to make the leap from fully physical creature effects to seamlessly integrating realistic computer generated images with live action footage. Roger’s shadows weren’t done with CGI. Hoskin’s sightlines were not digitally altered. Wires controlling the handcuff were not removed in post. 

Who fucking Framed Roger fucking Rabbit, folks. The greatest trick is when people don’t realize you’re tricking them at all. 

This movie will be studied and analyzed and revered and worshipped for generations because, not only of the ground breaking techniques they used to make the magic happen but, for those of us that grew up with Bugs Bunny and Tom and Jerry, for 2 hours we were able to believe that they all really existed.

This is one if the LAST great movies that was ever made.

Let’s also not forget that writing. “Only when it was funny” isn’t just hilarious, it’s great comedy theory. It lampshades the joke, but also serves to remind the viewer that Toons have a separate set of physical laws they adhere to, mostly revolving around comedic value. Roger cannot remove his hand from the cuffs… until it’d get a laugh from an audience.

Everything about this movie, EVERYTHING about it, is so finely crafted. I could wax lyrical about it for days.

frigidloki:

based on this [x]

zetiz:

3/18 Anniversary of saiyan by GoddessMechanic2