-More Horror Bros AU doodles! I also updated Tim’s werewolf design.
-Dick ALWAYS breaks when Tim gives him the sad puppy dog eyes. Bruce and Damian are also surprisingly weak against it.
-Tim likes to wear shirts that belong to either Bruce or Kon. Bruce’s scent calms him down and makes him feel safe, while Kon’s scent reminds me of the sun and makes him giddy. Tim will never admit this though, he will also never admit how embarrassed he is about how Kon’s shirt is STILL too big for him, even as a werewolf.
-I said before that Jason can’t eat, but I think I might make change that and make him have to eat brains, animal ones at least. It gross. So, so, gross and when Jason is feeling especially devious, he’ll make digusting noises while eating, just to make Tim gag.
-When they got cursed, Dick was the first to go down and started coughing up his teeth, along with halve of his blood. Jason rushed over to help, but his own skin began to rot and peel off. Damian was hunched over next to Tim, clutching his throat while gasping for breath as tiny green fish scales blossomed all over his skin. Tim had only a moment to act and manged to grab Damian and yeet him into the harbor before he himself began to transform.
if i had seen the transition from sepia to color in wizard of oz in 1939 i would have lost my shit i would’ve started screaming in the theater
Okay no but like, I am still SO ENAMORED by this transition y’all, ‘cause when Dorothy opens the door of the house onto the colors of Oz, the inside of the house is still sepia toned. And they did that by literally making the interior and the costume and everything SEPIA TONED. You had a double for Judy Garland in a specifically-created sepia-toned dress, in a sepia-toned set, opening the door, backing out of frame, and then the Dorothy that steps back into frame is Judy Garland in her full color costume and makeup, stepping out into the color set.
It’s just
Y’all it’s such a GREAT EFFECT, and this was before computer effects and green screen, it was all practical and yeah it feels like nothing now, but at the time, man, not only was technicolor new, but I’m pretty sure no other movie had done a transition out of b/w or sepia into color, and even knowing it was a technicolor film, that must have just been fucking wild to see! It still is wild to see!! It’s so good.
The technique of switching between double and main actor without an edit is called a Texas Switch and it’s still used today, it’s very neat to have something so simple yet tricky persist pretty much just because it genuinely looks better to do it with timing than with editing.
